A souped-up delay, with hardwired modulations and a pre-stocked feedback loop that eats the latency of other devices/plug-ins.270 impulses are available in the factory library, including real spaces, environmental captures, and generated impulses.A folder Import… option is available via the impulse browser for bulk import.Dragging any audio or note clip onto Convolution will bounce the clip, and then load it as an impulse.If a file conversion is necessary, the impulse will be saved into the current project’s Impulses folder as a BWIMPULSE file.Dropping a file from one of Bitwig’s browsers or the OS’s file manager onto the Convolution will load the first 45 seconds of it.The Wet FX chain allows any Bitwig devices and VST plug-ins to be added for processing only the wet output portion.Pre-delay time, Wet Gain amount, and dry/wet Mix parameters are also available.Brightness offers a tilt EQ, which favors the high end when turned to the right, or the low end on the left.A Volume Envelope sets a start, mid-point (time-adjustable), and end gain levels, that can be quieter or louder than the original impulse for effects or reshaping it altogether.The Start and End Time positions within the impulse can be adjusted visually, similar to Sampler.Tune resamples the impulse, changing its pitch and length by the set amount.An impulse browser visualizes all impulses in your library, along with their length, category, and channel count.Supports loading 1-channel (mono), 2-channel (stereo), and 4-channel (“true stereo”) impulses.A straightforward device with quick adjustment controls for reverb, coloring, or anything else convolution can do.New in 4.3 | Bitwig What’s New in Bitwig Studio 4.3 NEW DEVICE: CONVOLUTION You can make custom instruments/ effects/ sequencers/ modulators ect… much quicker and easier than other modular environments (in my opinion). I recently made a note grid patch that mimics the retrig from those boxes pretty much exactly. The “operators” are similar to trig conditions, and the “repeats” it similar to retrig on Machinedrum and Octatrack. I think Bitwig 4 took some influence from Elektron. Another Big one for me would be a “ modulator Grid” (Basically a modulator that would load up The Grid for custom modulators. There are a whole bunch of other features I would like, but slicing in the sampler and Containers in The Grid are my top 2. I made a whole thread about it on Bitwish: The other main feature I want in Bitwig is containers in “The Grid” I don’t expect that would ever happen, but that would be my ultimate dream machine. Even cooler would be a dedicated controller made by Elektron. If we had slicing within the sampler, and a dedicated controller, like Push, that would be very cool. You can do it, but it is a lot more tedious than the slice mode in Ableton’s “Simpler”. But, it is kind of a hassle to adjust slices after that. In Bitwig, you can slice an audio clip to a multisample by onsets (like transient markers in Ableton), beat divisions, or stretch markers (like warp markers in Ableton). I don’t miss much from Ableton, except for slicing in the sampler. I was on Ableton for about 15 years before that. I switched to it from Ableton a few years ago.
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